MANUSCRIPTS
The impact of black artists in Asia on the contemporary art of Negros Occidental and the Visayas region, and on a wider scale, the contemporary art narrative of the Philippines /

Publisher: LASALLE College of the Arts,


Title Details
  • The impact of black artists in Asia on the contemporary art of Negros Occidental and the Visayas region, and on a wider scale, the contemporary art narrative of the Philippines /
Publishers
  • Singapore :LASALLE College of the Arts,2012
Descriptions
  • 128 pages :color illustrations
Subjects
  • Black Artists in Asia
Material Type
  • BK
  • Book
Keyword
  • Black Artists in Asia
Location MAIN
Item Call Number N 7327 J63 2012
Status Available
Barcode 17720
Library Of Congress Call Number
  • Classification number - N 7327
  • Item number - J63 2012
Main Entry
  • Personal name - Jocson, Georgina Luisa Olivares
Title Statement
  • Title - The impact of black artists in Asia on the contemporary art of Negros Occidental and the Visayas region, and on a wider scale, the contemporary art narrative of the Philippines /
  • Statement of responsibility, etc - Georgina Luisa Olivares Jocson
Publication, Distribution, Etc. (imprint)
  • Place of publication, distribution, etc - Singapore :
  • Name of publisher, distributor, etc - LASALLE College of the Arts,
  • Date of publication, distribution, etc - 2012
Physical Description
  • Extent - 128 pages :
  • Other physical details - color illustrations
General Note
  • General note - Thesis [Master of Arts in Asian Art Histories] -- LASALLE College of the Arts, Singapore
Summary, Etc.
  • Summary, etc - Abstract: The social realist movement in the Philippines reached its height in the period leading up to the 1986 popular uprising which overthrew autocratic president Ferdinand Marcos. Over in the Visayas, less than an hour away by plane from the Manila, the feudal social conditions of Negros Occidental were fomenting their own version of abuse, hunger, and displacement. For over a century, vast tracts of the island had been fenced off as sugarcane haciendas (plantations) in the possession of a few hacenderos (plantation owners). The EDSA Revolution offered the promise of freedom and a new democracy, which artists in Negros took to heart. From this potent mix of political euphoria, economic devastation and social inequality rose the socially committed visual arts organization, Black Artists in Asia (BAA) in 1986. Although the group has been in existence for a quarter of a century, there is a notable lack of documented information on its activities and projects. Hence, this thesis proposed to research and record the 25-year history of the Black Artists in Asia and to evaluate its successes and failures vis-à-vis its stated goals, as well as locate and weigh its significance in contemporary Philippine art.
Index Termuncontrolled
  • Uncontrolled term - Black Artists in Asia